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LindaHilton

Linda Hilton

Reader, Writer, Merciless Reviewer and Incurable Romantic

Currently reading

The War of the Flowers
Tad Williams
Progress: 48/686 pages
The Jews in America: The Roots, History, and Destiny of American Jews
Max I. Dimont
Progress: 17 %
Stamped from the Beginning: The Definitive History of Racist Ideas in America
Ibram X. Kendi
Progress: 22/750 pages
All the President's Men
Carl Bernstein, Bob Woodward
Progress: 73/383 pages
Women's Gothic and Romantic Fiction: A Reference Guide (American Popular Culture)
Kay Mussell
Progress: 17/157 pages
The Looking-Glass Portrait
Linda Hilton
Really Neat Rocks: A casual introduction to the rocks & gems of Arizona and the lapidary arts
Linda Hilton
Progress: 61/61 pages
Under the Banner of Heaven: A Story of Violent Faith
Jon Krakauer
The Power of Myth
Joseph Campbell, Bill Moyers
Progress: 20 %

Reading progress update: I've read 40%.

Rose Hill - Pamela Grandstaff

Sarah was sitting in her car outside the station when he got back. He invited her in and made some coffee. Scott told her about what Knox said about the coin, about Anne Marie’s accident, Drew’s background check, and about Billy, Phyllis, and what Tommy saw.

Grandstaff, Pamela. Rose Hill (Rose Hill Mystery Series Book 1) (p. 99). Kindle Edition.

 

Telling, not showing,

 

This is a short book -- 245 pages -- and when I compare it to a fat hardcover like the two I read for Halloween Bingo, I can see why they were long and detailed and atmospheric, and this one . . . is not.

 

When I compare it to A Scone to Die For, which I also read for Halloween Bingo, the differences are important.

 

The Scone book was a straightforward case, with few complications and few suspects.  And it was solved quickly.  It also didn't involve the entire community of the book.

 

Rose Hill is not that straightforward.  The victim is a member of the community with a long history.  The members of the community are involved -- as witnesses, as suspects, as compllications.  The setting itself is involved.

 

Instead of developing that -- the way a Martha Grimes or a Ruth Rendell or a Sharyn McCrumb would -- author Grandstaff just tells the reader what happens without bringing the reader into the theater of the story.

 

Still sliding downward.