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LindaHilton

Linda Hilton

Reader, Writer, Merciless Reviewer and Incurable Romantic

Currently reading

Strangers in Their Own Land: Anger and Mourning on the American Right
Arlie Russell Hochschild
Progress: 96/454 pages
To Green Angel Tower
Tad Williams
Progress: 44/1104 pages
Stamped from the Beginning: The Definitive History of Racist Ideas in America
Ibram X. Kendi
Progress: 22/750 pages
All the President's Men
Carl Bernstein, Bob Woodward
Progress: 73/383 pages
Women's Gothic and Romantic Fiction: A Reference Guide (American Popular Culture)
Kay Mussell
Progress: 17/157 pages
The Looking-Glass Portrait
Linda Hilton
Really Neat Rocks: A casual introduction to the rocks & gems of Arizona and the lapidary arts
Linda Hilton
Progress: 61/61 pages
Under the Banner of Heaven: A Story of Violent Faith
Jon Krakauer
The Power of Myth
Joseph Campbell, Bill Moyers
Progress: 20 %

2017 Artists of the Superstitions Studio Tour

 

This is the cover of the map/brochure for our 2017 Studio Tour.

 

Artists of the Superstitions was formed in March 2007 as the Gold Canyon Artists' Group.  I was one of the original eight or ten members.  Two months later, we learned that the sponsor of the studio tour had quietly dropped it; in a rush of enthusiasm -- and calling on my inner Mickey Rooney -- I insisted we could do it ourselves. 

 

Most of the group was opposed to the idea.  We were too few, and too new.  It couldn't be done.

 

With just three other members to help out, I put it together.  The Apache Junction/Gold Canyon Artists' Studio Tour went on in November 2007 exactly as the previous sponsor had done it.  We had glitches and mistakes, but we did it.  And with the proceeds, we began to build up our organization, taking on the name Artists of the Superstitions.

 

This is now our 11th annual tour.

 

I have been a member since the very first organizational meeting in 2007.  I have participated in every single studio tour.  I have participated in almost every single show AOTS has sponsored since then.  I have written publicity material for our events, I have given demonstrations at meetings, and I maintain an email list of over 600 "patrons" to whom I send notices of each of our events.

 

Of the eight artists whose work is featured on the front of the brochure, four are first-time participants; I don't even know if they are AOTS members.  Three others who I know are members have been frequently showcased on brochures and posters for the tour and the four other events AOTS sponsors each year. 

 

This is the first time one of my pieces has been pictured on the tour brochure.